Saturday, May 17, 2014

Performance Poster, 2014


Poster for "Two Many Dinner Parties"

126 Gallery, Galway

Two Many Dinner Parties, 2014


Performance with Sven Anderson 

Field recordings/custom designed software/homemade instruments/Jura whisky

As part of "Two Many Dinner Parties" in 126, Galway.

Tunable Spring Box, 2014


One of a series of homemade instruments/noise makers. Constructed from a metal electrical box/1/4 inch jack cable/contact mic/springs of various sizes.

Can be flicked/plucked/bowed/tapped.

Used live in 2014 and in current album recording with Sven Anderson for release Summer 2014.


Bow Box, 2014


One of a series of homemade instruments/noise makers. Constructed from a plastic electrical box/electrical junction strip/1/4 inch jack cable/contact mic/coat hanger.

Can be bowed/plucked/pressed.

Used live in 2014 and in current album recording with Sven Anderson for release Summer 2014.

Saturday, September 7, 2013

Location Details, 2013



5.9.13 
Digital colour print, 30 x 33 inches, 2013




11.9.13 
Digital colour print, 24 x 32 inches, 2013


An ongoing series of digital photographs each linked to a sound composition based on a audio recording from the location.

IFI & EFC: FLUXFILM Part 1 (1963-1970) 2013


A live score by Sven Anderson and Russell Hart to accompany a 16mm screening of Fluxus Films.

Produced for the Irish Film Institute and Experimental Film Club, April 2013

The Sky Road, 2012




“My methodology for the production of the works included in this exhibition was simply to pinpoint a location on The Sky Road, travel to that point and gather material such as photographs, field recordings, colour samples and measurements.

With this information I then constructed the pieces, a chipboard incline, a photograph, a digital graphic, a geometric collage, a vinyl record of musical compositions and a series of mixed colour samples applied throughout the gallery space and upon the works themselves where appropriate.

Throughout the production of these works my thoughts kept returning to the sampling techniques often used by IDM composers to produce a remix of one particular track or another. This process involves the breakdown of an original into its component pieces before it is reassembled into a new whole. By applying a similar technique to a location my intention has been to create something abstract, beautiful and entirely new while still retaining an unmistakable sense of place.”

Solo Show, 126, Galway, October 2012