Performance Poster, 2014

Poster for "Two Many Dinner Parties"

126 Gallery, Galway

Two Many Dinner Parties, 2014

Performance with Sven Anderson 

Field recordings/custom designed software/homemade instruments/Jura whisky

As part of "Two Many Dinner Parties" in 126, Galway.

Tunable Spring Box, 2014

One of a series of homemade instruments/noise makers. Constructed from a metal electrical box/1/4 inch jack cable/contact mic/springs of various sizes.

Can be flicked/plucked/bowed/tapped.

Used live in 2014 and in current album recording with Sven Anderson for release Summer 2014.

Bow Box, 2014

One of a series of homemade instruments/noise makers. Constructed from a plastic electrical box/electrical junction strip/1/4 inch jack cable/contact mic/coat hanger.

Can be bowed/plucked/pressed.

Used live in 2014 and in current album recording with Sven Anderson for release Summer 2014.

Location Details, 2013

5.9.13 
Digital colour print, 30 x 33 inches, 2013

11.9.13 
Digital colour print, 24 x 32 inches, 2013


An ongoing series of digital photographs each linked to a sound composition based on a audio recording from the location.

IFI & EFC: FLUXFILM Part 1 (1963-1970) 2013

A live score by Sven Anderson and Russell Hart to accompany a 16mm screening of Fluxus Films.

Produced for the Irish Film Institute and Experimental Film Club, April 2013

The Sky Road, 2012

“My methodology for the production of the works included in this exhibition was simply to pinpoint a location on The Sky Road, travel to that point and gather material such as photographs, field recordings, colour samples and measurements.

With this information I then constructed the pieces, a chipboard incline, a photograph, a digital graphic, a geometric collage, a vinyl record of musical compositions and a series of mixed colour samples applied throughout the gallery space and upon the works themselves where appropriate.

Throughout the production of these works my thoughts kept returning to the sampling techniques often used by IDM composers to produce a remix of one particular track or another. This process involves the breakdown of an original into its component pieces before it is reassembled into a new whole. By applying a similar technique to a location my intention has been to create something abstract, beautiful and entirely new while still retaining an unmistakable sense of place.”

Solo Show, 126, Galway, October 2012

Electronik Historic

     

Using a combination of archival photographs and researched texts Russell Hart presents a sporadic eight part history of electronic music.

8 Galway, June 2012

A Conductive Arc, 2012

An ongoing piece where a touch activated analogue synth is passed around the audience to create a temporary audio portrait of the audience interaction with the unit.

Produced for the exhibition "Ached Grew Print Jot" at The Drawing Project, Dublin, February, 2012

The Way Out 2012 (after Klee 1935)

The Way Out 2012 (after Klee 1935) (ink, marker and enamel on paper)

Produced for the exhibition "Ached Grew Print Jot" at the Drawing Project, Dublin, February 2012

Logic Composition (for Marie) 2011

inkjet print (24cm x 24 cm) edition of 10, 2011

Oonagh Young Gallery, 2011

Timecoloured Place

Artists: J.G. Ballard, Patrick Chapman, Invisible Alan & Dominic Hislop, economicthoughtprojects, Mark V Rossi, Henderson Six.

image above - ETP presentation

image below - Henderson Six

The O'Sullivan Versions, 10" vinyl, 2011

The O'Sullivan Versions - 10" vinyl record (edition of 5) 2011.

In 1951 the musical archivist Alan Lomax recorded Marie O'Sullivan singing the Irish ballad "Cití Na gCummann" in her hometown of Ballylickey Co. Cork. ETP has commissioned a series of 4 new recordings that respond to the original.

Side black;

The Lomax Echo by ETP

Grijstoon by Machinefabriek

Side white;

Escanda by Music For One

CNC by The Plumber Anders Quartet

DAS SPLINTER Poster, 2011

Poster designed by ETP for DAS SPLINTER event (42cm x 59.5cm) edition of 10, 2011

The Third Existence (print), 2011

Composition (c-type print 30cms x 30cms) edition of 10, 2011

DAS SPLINTER, 2011

DAS SPLINTER, an event curated by Russell Hart, used a combination of live performance, film screenings, texts, posters and limited edition vinyl recordings to examine the relationship between contemporary art and music.

Erik Skagerfält (Sweden) here

Jennie Guy (Ireland) here

Karl Burke (Ireland) here

Stephen Brandes (UK/Ireland) here

Carsten Nicolai (Germany) here

Dolphins Into The Future (Belgium) here

ETP (Ireland) here

Olaf Nicolai (Germany) here

Mordant Music and the BFI (UK) here and here

Venue: Galway Arts Centre, January the 22nd 2011

The Third Existence, 2011

12" vinyl pressing, edition of 1, 2011

Spoken text/electronics (12 mins, 56 seconds)

Recorded and mastered by ETP, cut by Duophonic, Germany, design and artwork by ETP

Helvetica Sounds, 2010

7" vinyl pressing, edition of 2, 2010

Visual score composed by ETP.

A side - Erik Skagerfält (Alexander CC tuba)

B side - Russell Hart (ETP) (electronics)

Cut by Duophonic, Germany, design and artwork by ETP

YES WAY, London 2010

Copies of all the ETP 7" records included in the YES WAY music festival London.

More information on YES WAY can be found here

The Reading Room, Berlin 2010

Copies of all the economicthoughtprojects 7" records included in the Reading Room, Berlin

More information on the Reading Room can be found here